Demihuman Dread Thread
Posted: Sun Nov 23, 2025 1:35 pm
I see a lot of people complaining about Ravenloft being too humancentric.
My opinion is that it's an intentional and logical design choice, because of what I call 'The Boggart Effect':
A boggart is a monster that takes the form of its viewer's worst fear.
But what happens when the boggart is viewed by multiple people? It gets confused. It goes nuts trying to scare everyone at once - making it harder for him to scare anyone. So, the best tactic for boggart hunters is to gather a party where each party member has such different fears, that the boggart can't possibly frighten them all at once.
But you know who else is trying to scare their viewers?
Horror writers.
Fears are not only personal, but also cultural. We're afraid of losing what we value, and different cultures prioritize different values. An elf, raised to cherish the wilderness, would likely be far more terrified than a dwarf when encountering a curse that destroys trees, but stay calm when the dwarf, surrounding herself with her own creations and relying on them, freaks out as one of them turns against her.
I think the more different cultures are in a party, the harder it is to find something that scares everyone - and the more used the characters get to seeing new sights and encountering new perspectives and philosophies, the harder it is to truly shock any of them.
So, I think the best way to include fantastic creatures as heroes in Ravenloft is not to integrate more of them in otherwise humancentric plots, but to create plots catered to each fantastic culture's unique collective subconciousness. What horror stories would each species tell to itself?
My opinion is that it's an intentional and logical design choice, because of what I call 'The Boggart Effect':
A boggart is a monster that takes the form of its viewer's worst fear.
But what happens when the boggart is viewed by multiple people? It gets confused. It goes nuts trying to scare everyone at once - making it harder for him to scare anyone. So, the best tactic for boggart hunters is to gather a party where each party member has such different fears, that the boggart can't possibly frighten them all at once.
But you know who else is trying to scare their viewers?
Horror writers.
Fears are not only personal, but also cultural. We're afraid of losing what we value, and different cultures prioritize different values. An elf, raised to cherish the wilderness, would likely be far more terrified than a dwarf when encountering a curse that destroys trees, but stay calm when the dwarf, surrounding herself with her own creations and relying on them, freaks out as one of them turns against her.
I think the more different cultures are in a party, the harder it is to find something that scares everyone - and the more used the characters get to seeing new sights and encountering new perspectives and philosophies, the harder it is to truly shock any of them.
So, I think the best way to include fantastic creatures as heroes in Ravenloft is not to integrate more of them in otherwise humancentric plots, but to create plots catered to each fantastic culture's unique collective subconciousness. What horror stories would each species tell to itself?