My boyfriend and I were actually talking about this the other night, and we thought that A) "Horse and His Boy" really shouldn't be made into a movie because it brings the pace of the series to a screeching halt (which is fine in the books, but movies are a much less forgiving medium) and B) they might do well by making the Calormenes some kind of generic (and white) pagan culture, with Tash being more like a bloodthirsty god from the ancient world than a pretty nasty stand-in for Allah (if you've read much other Lewis, think Ungit from Till We Have Faces).Rotipher wrote:FWIW, the Narnia/Christianity metaphors get even thicker in the end-of-Narnia story "The Last Battle", which is virtually all straight out of the Book of Revelation. And it beats me how the moviemakers are going to handle "A Horse And His Boy", if the film-series continues, because that whole book is one long Islam/Arab-bashfest.Kel-nage wrote:The death of Aslan was a metaphor for the death of Jesus. The sacrifice, the humiliation, the breaking of the tablet (the rolling away of the stone), the resurrection.
I LOVED the movie. Which says something, because I'm a huge C.S. Lewis fan and my expectations were through the roof. I did think that Peter's "reluctant hero" schtick got a little old, but other than that, it was great. Tilda Swinton and James McAvoy were fantastic, there were plenty of excellent foreshadowing bits for anyone who's read the whole thing (all the stuff with the Professor made me squeal like a thirteen-year-old at a Backstreet Boys concert), and I want to adopt Lucy. Plus they did a good job of making the Christian elements understated without eliminating them entirely--they don't beat you over the head with a hammer, but they also didn't make me jump out of my chair and yell, "Aslan is supposed to be Jesus, darn it!" Sure, it's not LotR, but what is?