RAEN, KAT, and SARA say goodbye to the strange Old Man and his dogs.
...
BENN bids farewell to Captain Thibault.
And later that afternoon, Benn ( accompanied by any of those others of his party coming along to hear what the RUBY ORACLE has to say) arrives in the southeastern city, at the
COURT OF CROWS.
The Great Gallows, a scaffold and platform as big as a house, stands empty today, ropes coiled under leather covers on the hanging beams that can dispatch a dozen or more felons in one drop.
Nobody stands in the open plaza that surrounds the place of punishment.
Though several hours of daylight remain, this part of the city seems deserted, with no sounds but the murmur of runoff flowing down sewers and drainage canals near the plaza and the hungry cries of the crows roosting in the eves of neighboring houses.
But, as Benn walks toward the particular house which Madame Renier's men had described, he sees a young boy, dark-haired and dressed in bright gypsy vest and pantaloons, beckoning to him.
The boy ducks inside the front door of the crumbling limestone house.
When Benn cautiously enters the dim front chamber, he sees the boy standing by a high-backed wing chair covered in patches of mold.
Rust-colored and pink fruiting bodies spread along the stone walls.
The cool, moist air smells like limewater, and the flesh of toadstools.
Like
The Vistani boy doesn't reply to questions, except to nod and make gestures suggestive of sitting, waiting...
Soon after Benn enters the house, a woman emerges from behind a mildewed yellow curtain in the shadowy far end of the room.
She wears face-paint and a hooded robe quite unlike most gypsies Benn has encountered.
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The lady sits.
''I know why you've come, Bennedict Gehrman, and who it was that sent you. We need not waste the time remaining to you with drawn-out conversation or the mummery lesser soothsayers use on clients. My time in this city runs short. A night of fire, blood, and terror draws near---but heroes may yet stop its advent. I will not remain to the end. But I will tell you what you have come to hear, what I find about the Black Cloud
and the Woman-Killer, when I peer beyond the Veil.''
She leans back in her seat, closes her painted eyelids, and relaxes.
The fungus on the walls quivers all at once, exhaling a haze of spore-dust that makes Benn's eyes and nostrils itch, but seems not to bother the Ruby Oracle in the least.
After a moment of silence the oracle lifts her hands to place her palms flat over her eyes.
Benn sees eyes drawn on the backs of the woman's hands, now seeming to watch him.
The Ruby Oracle chants,
''Dead Queen’s Door
Beast’s Black Maw
Red Deceiver
Carrion Claw
Sweet the spoor
Bitter the loss
Hungers the hunter
The Gate to cross.''
She sighs, slumps in her chair, and lowers her hands to her lap.
Then she opens her eyes.
''What I have been given to say, I have said."